Faced with bankruptcy and prison, George Bailey shoots everybody at the building & loan. Then he goes to his drafty old house and kills Mary and their four children. While mowing down the crowd at Martini's, George is taken out by Bert the cop. Old man Potter pockets the $8000, and everybody in Bedford Falls buys a gun. Clarence is cast into hell. The End.

29 December 2012

Review: Buy 'Hank Williams: Lost Concerts' for the history, not the music

By Zoomer Roberts \ Special to the El Paso Times

Time-Life's new "Hank Williams: The Lost Concerts Limited Collectors Edition" includes material taped at two shows in 1952, plus an earlier radio interview.

As a casual listening experience, the album leaves a lot to be desired. The sound is often distorted, and there are places where the tape apparently broke and pieces went missing when it was spliced back together.

But for those of us who want to know about Hank Williams' life and times, this is an enlightening historical document.

First of all, these aren't concerts. They're shows. Hank goes on stage, does 30 minutes, thanks us kindly, and ambles off to sign autographs. He does two or three shows a day.

We learn that Hank's touring band has been pared down from four men to just two: fiddler Jerry Rivers and steel guitarist Don Helms. Gone are Sammy Pruett and his "boop-bop" guitar and bassist Howard Watts. Hank's rhythm guitar figures more prominently in the mix, and local bass players are pressed into service. (By Hank's own admission, some work out better than others.) Hank, Don and Jerry sing trio on the gospel numbers.

Hank tells tall tales of riding out a flood on the roof of a hotel in Bald Knob, Ark.; informs the audience how to pronounce "jambalaya" and what its ingredients are; hawks songbooks; and explains that he and Luke the Drifter are one and the same person. He tells us that writing songs brings him more joy than anything else in life. He invites us to the Grand Ole Opry (from which he will soon be fired), and suggests that while we're in Nashville we visit his store, Hank Williams' Corral. It used to be Hank & Audrey's Corral, but they're divorced now. He never mentions her. Not once.

The disc ends with a noisy 1951 radio interview in which Hank and an old friend from his Alabama honky-tonk days -- who is now a disc jockey in Wichita -- talk about old times and new records. Hank tells him to come out to the house the next time he's in Nashville, and "we'll open a can of beans."

Herein is a legend made flesh: not a pitiful derelict at death's door, but a functioning, funny, personable performer. A treasure, for those so inclined.

Zoomer Roberts is a longtime El Paso country and folk musician.

The Man That Give Me That Awful Name

When I was 17, I started following a local Bluegrass/Rockabilly ersatz Rat Pack pair of drunks named Hal Smith and Henry Beebe, who called themselves the Shade Tree Boys. They did Bluegrass songs with a Johnny Cash beat, and alcohol-fueled x-rated comedy. They played in joints: the Jade Club, the King’s X, the Gaslight Lounge at Bowlero Lanes. My Spanish teacher, Randy Earl, used to go see them and he’d take me along and claim I was his son, which, had it been true, would have made me legal. Sometimes I would sit in.

They had been through a slew of bass players -- Richard ‘Pinchi Pancho’ Chorne, Herman Glop, Thumby Zee -- and in March of 1969 they had a guy named Vince Moya who had gotten so lackadaisical that he would sit on top of his amp and play bass with one hand and eat a cheeseburger with the other. Hal and Henry got drunk one afternoon and decided to fire Vince. But who would they get? How about the kid? Henry called me and asked if I played bass. Yes, I lied. Did I want the job? Yes again, but I had no equipment. Not to worry -- I could use the equipment Vince had been using, which was on loan from the Harmony Shop, which Henry managed. And so, for the last two months of high school, I was playing four nights a week. In joints.

Hal and Henry couldn’t remember my name, which I found rather insulting. They were toying with the idea of calling me Lightning or Speedy or Flash. One night Hal was introducing the band and when he got to me he said ‘This is our new bass player. His name is…uhhh… (off-mike) What the hell is your name?’ and I said ‘Yogi Zarch.’ ‘This is our new bass player, Yogi Zarts. We call him Zoomer Zarts.’ The audience thought it was a riot. So did Henry.

And that name has stuck! It even got used at our wedding (Do you, Zoomer, take this woman...) and when I was ordained as an elder in the Presbyterian Church. That’s my story.

Zoomer's Bar Years

In 1995, KTEP "Folk Fury" host Gregg Carthy aired a two-hour retrospective of my musical career. I provided him with records and tapes and a running commentary of their origins. It was supposed to be the first in a series of programs showcasing local musicians. To my knowledge, it was also the last. My friend Ken Smith taped the broadcast off the air. A dub of that tape was later transferred to CD. It is presented here in six twenty-minute segments for easy absorption.




Listen to part 1
Listen to part 2
Listen to part 3
Listen to part 4
Listen to part 5
Listen to part 6

"Telford"

Telford went where he was sent
He didn't give a damn
He went to Okinawa
He went to Viet Nam
He got good suckee and good fuckee
From ol' Mama-san
He crossed the sea to Germany
And drove the Autobahn
Until at last he bought the farm
He's deader than a brick
And on his stone we wrote: "I told 
you bastards I was sick!"

completed 21 October 2011
R.I.P. Hank Telford (1938-2011)

KTEP Folk Fury Broadcast ~ 30 October 2010

Zoomer Roberts: vocal & harmonica
Buddy Winston: vocal & guitar
Gregg Carthy is your host

Buddy and I perform Little Darlin' at the Border Legends Jam...














...while my heroes look on.
left to right: Frank Dove, Frank's son, Dalton Powell, Randy Jones.

left to right: Alan Van Velkinburgh, Charlie Thomas, Randy Jones, Dalton Powell, Zoomer Roberts, Buddy Winston.

Holy Cow!

I was surprised the place was so crowded. It was "hail fellow well met" from the parking lot to the bandstand. Old friends, neighbors, classmates and bandmates embraced. The first batch of songs were played on acoustic guitars: The Boxer, If I Were A Carpenter, Reason To Believe... Then electric guitar, pedal steel, keyboards and drums were added to the mix and we went country: Jambalaya, Precious Memories, Silver Wings... A tribute to Danny of Danny's Music Box followed. He was given a plaque in appreciation of his support of local musicians, and we told him to "tell 'em where you got it, babe!" Then, while we played "Knockin' On Heaven's Door, the names of the deceased were read aloud: Bobby Fuller, Jamie Hilliard, Steve Crosno... A group called the Bobby Fuller Faux took center stage and blew the roof off the dump with a rockin' set of Bobby Fuller and Buddy Holly songs. A reunion of original Moon Pie members kept up the pace and volume. When their set ended at 11:00, I started making my way to the door. It was "hail fellow well met" from the bandstand to the parking lot. I wobbled and teetered in the crush of humanity. Mouths moved and I heard nothing, but I came away with a reassuring sense of belonging to the community to which I aspired all those years ago.

Zoomer Roberts
3 October 2008

Border Legends Music Jam

Pullen My Blog

A look at the national music scene

Doug Pullen writes about the national music scene for elpasotimes.com.

El Paso Times

October 01, 2008

We be border jammin' Thursday at Big Al's

It started with a class reunion but has turned into very different reunion entirely.

The Border Legends Music Jam at 8:30 p.m. Thursday, Oct. 2 at Big Al’s Wings and Suds, 1201 Airway, will bring together some El Paso’s better known musicians from the 1960s and ‘70s, including former Bobby Fuller Four drummer Dalton Powell, Moon Pie Daince Band’s Rod Crosby, multi-instrumentalist Zoomer Roberts and many more.

One possible highlight of the jam: a special set of Bobby Fuller’s music, including, no doubt, his iconic version of “I Fought the Law.”

“What’s strange is that most of us haven’t even seen each other in the past 40 ears and we’re going to be playing together for a one night,” said Donna Pence, a keyboardist who is helping organize Thursday’s historic jam session.

She’s part of the group putting together activities for this weekend’s 40th reunion of Irvin High School’s class of ‘68. “I started a social Web site, irvin68.ning.com for that, and we noticed that a lot of us that used to play in bands in El Paso back then were joining the site,” Pence said via e-mail. “And it was lke the past 40 years just melted away, like a long summer vacation, and we naturally started talking music and the idea of a jam was born.”

Many of the musicians will dip into their songbooks from the old days. Powell, Crosby, Charlie Thomas, Ron Stone and others will be a part of the Bobby Fuller set. Among the other musicians confirmed to take part are Randy Jones, Jack Woodberry, Buddy Winston, Paul Quattlebaum and Ed Clore. Souvenir t-shirts will be available at the show.

Pence sounds geeked. “It’s going to be quite the music reunion,” she said.

Posted by Doug Pullen at 01:45 AM in Music | Permalink | Comments (0) | TrackBack (0)

Ode to Eau de France Redux

Oh I want to go to Paris
For that's the place where Ferris
Built the wheel that separates the men from sissies
I would sample the horse doovers
See the paintings at the Loover
Then I'd promenade along the Champs Ulysses.

2 December 2007

Zoomer's Stream of Consciousness

On November 11th, 2004, I sat down to write a sermon and this came out instead.

My folks used to have a home medical encyclopedia that listed every known ailment and its symptoms. We used to thumb through it on a regular basis in an attempt to self-diagnosis our various discomforts. I gave up on it after awhile -- we all did -- because we were turning into hypochondriacs. Such mundane things as sleeplessness, fatigue or thirst became harbingers of impending doom.

I feel the same way about prophecy, especially as it pertains to eschatology: the end times. As far back as I can recall there have been preachers and Bible scholars telling me that we're living in the last days. Natural disasters, plagues, famine, acts of war and anything at all concerning Israel have all foreshadowed the Second Coming. We try to find a perfect fit for 666 among prominent persons: Ronald Wilson Reagan, for example.

The proof of prophecy, of course, is in the fulfillment thereof. Otherwise, the horrors predicted by Nostradamus could have been prevented. It is only after the fact that we recognize the references to Hitler, the Kennedy assassinations et cetera.

Jesus tells us not even the angels will know when the end will come, but that hasn't stopped us from trying to pinpoint the date, selling everything and sitting patiently at the curb, awaiting the rapture. Everyone who has ever done this has been disappointed.

Thus far in my informal ministry, I've steered clear of some topics. One is Hell. I figure there's already plenty of preachers out there who are willing, and eager, to tell us who's going to Hell, who's already there, and what degree of torment they're experiencing. Their teachings are founded more in Dante than in Deity, but you wouldn't be able to tell them that. They'll tell you that you're going there, too!

Another subject I shy away from is the Last Days: Armegeddon, the Second Coming, the Rapture, the New Jerusalem, the thousand year reign, the end. I'm not qualified to teach it, and we're all powerless over it anyway. Studying the Biblical prophecies of Daniel, Isaiah and the Revelation of Saint John the Divine is like diagnosing yourself with a home medical encyclopedia: you'll recognize all the signs but you'll come to the wrong conclusion. Yes, we're all going to die, but none of us knows the day or the hour. Unless we happen to be on Death Row.

The world these days is bleak and cheerless and tiny. There seems to be little optimism about anything. There are almost nine billion of us and we're literally in each other's face and on each other's nerves. There is a 50/50 cultural division in our country (or 49/51) and the loudest faction is one with which I should feel a close kinship, but don't.

Conservative Christians see themselves as having a Christian president with a Christian mandate against all evils, real or imagined, foreign or domestic. As we thrash about in a melting world, alone and universally disliked, the Christian Right's only concern seems to be other people's sexual conduct. Where love, charity, and hetero-monogamy in a marital context are found, God is there. In fact, they don't even seem to require the love or the charity.

I don't think these brethren of ours are any more well-versed in Scripture than we are, but they do have preachers willing and eager to talk about Hell, and who's there, and who's on their way there. They might even want to include me, since I'm not one of them. So be it.

The Bible is a portable library: full of history and laws and stories and songs and prophecy and advice and nearly everything but math, science and car repair. Anything you need to reinforce your resolve can be found, isolated, extracted, magnified, expounded on and used as ammunition against those who would live in what you perceive to be sin.

Thou Shalt Not Commit Adultery is one of the Ten Commandments. Most of us probably think we keep it, but Jesus says if we divorce and re-marry, we commit adultery. Many of us are divorced and remarried, and therefore in violation of the Commandments. Our brethren choose to overlook that.

Jesus says that if a thief takes our cloke, we should also give him our coat. Nobody pays any attention to that either. If we catch a thief absconding with our raiment, it's our Constitutionally guaranteed privelege and duty to blow a hole through him with whatever sort of firearm we might have handy. An assault weapon will do the job adequately. Thou Shalt Not Kill, unless the next guy violates Thou Shalt Not Steal.

Another topic I don't have any business preaching about is same-sex relationships. People who DO preach about it shouldn't. It's not a crime wave. It's not an addiction. Granted, their are Scriptural admonitions against it, mostly in the personal hygiene rules of Moses in the Old Testament, and in the apostle Paul's astonishment at what the Greeks did at the bath-house. Who among us goes to a bath-house?

I do feel that I can, with much certainty, talk about being a Christian. It means to live according to the lessons Christ taught and the example that He set: loving, forgiving, and not being judgmental. It means to live in hope and not despair; to live in the present and not be fearful of the future. It also means practicing conscientious stewardship over our resources. It doesn't mean having a higher regard for automobiles than humanity, it doesn't mean wiping out wildlife with oblivious indifference, it doesn't mean ratifying a Constitutional amendment that would deny life, liberty and the pursuit of happiness to any segment of society that makes Midwesterners feel uncomfortable.

We are God's children. He understands all our languages, He knows our needs, and He will live in the heart that welcomes Him. He has given us His Commandments that we might walk with Him, not that we might judge others. He will come in His own time, not in ours, and we will see all things clearly when they have come to pass. Amen.

The Home (The Home)

Jim Kalafus and I co-wrote this faux cowboy waltz. I don't know why.

'Twas once in the saddle
I used to herd cattle
And yodel beneath Heaven's dome
But I've lost the battle
My bones they doth rattle
And they're gonna send me to The Home.

The Home! (the home)
The Home! (the home)
They're gonna put me in The Home
I used to shoot varmints
Now Depend Undergarments
Are what I will wear in The Home.

Oh I've done some killin'
And I've fought some villains
My exploits would make a great tome
But partial paralysis
And kidney dialysis
Are what I will fight in The Home.

The Home! (the home)
The Home! (the home)
They're gonna put me in The Home
Oh I used to shoot 'em
Now I'm coughin' up sputum
For that's what you do in The Home.

Oh I ate beef jerkey
And drank my Wild Turkey
As out o'er the range I did roam
My diet was splendid
But now it's rescinded
And I'm gumming puree in The Home.

The Home! (the home)
The Home! (the home)
They're starving me here in The Home
I stare in defeat
At the cold cream of wheat
That they give us to eat in The Home.

I shot off my jizzum
Way out on the Chisolm
And from Arizona to Nome
I got lots of tail
Off of Trigger and Dale
Now I'm passing blood in the Home.

The Home! (The Home!)
The Home! (The Home!)
I'm catheterized in The Home
Oh, sad is my fate
For an enlarged prostate
Hath hobbled my gait in The Home.

How My Daddy Won the War

My father, Donis Weldon Roberts, was driving from Garland, Texas to Sulphur Springs one Sunday in 1941 when he heard an announcement on the radio that Japan had bombed Pearl Harbor. Seven weeks later, Donis turned 31. He was unmarried, healthy and nobody was dependent on him for anything. In due time, he was drafted, along with every other eligible man in Hopkins County.

Donis was one of a busload of draftees who rode from Sulphur Springs to Mineola, Texas to be sworn into the United States Army. One fellow was so drunk he couldn't stand up to take the oath. The others tried propping him up against the wall, but he slid down into the floor. They tried holding him upright and lifting his right arm as the oath was being taken, but he slid through their hands, back into the floor. Finally, the others left him behind and proceeded on to boot camp. Their slippery friend showed up two days later, "looking like hell." He was still wearing the same clothes and needed a bath and several shaves, but he had been sworn in. When Donis was asked in later years what he thought about going into the service, he said, "I didn't think nothin'. Everybody else was goin'. Everybody!" Donis' serial number was 38137071.

By whatever method such decisions were made (possibly because he had worked in a funeral home and had worked on human flesh), it was decided that Donis would receive medical training and serve as a Surgical Technician, a glorified term for a male nurse’s aid. To this end he was assigned to the Medical Replacement Training Center at Camp Robinson, on the outskirts of Little Rock, Arkansas. He also spent some time at Camp Carson in Colorado Springs, Colorado and Camp Barkeley in Abilene, Texas.                                   

In 1943, he rode a train to New York City. From there he crossed the Atlantic on the Queen Elizabeth. His destination: Cirencester, Gloucester, England.

Donis crossed the Atlantic Ocean four times on three ships: the Queen Elizabeth, the Europa, and a smaller, less prestigious vessel whose name has eluded living memory. When telling his stories many years later, he may have called it the Banana Republic. If he did, he might not have been serious. The Europa was a German liner which was captured by the Allies in 1945 and briefly used as a troop ship. She would bring Donis back to the United States when the war ended.

The Queen Elizabeth was a British luxury liner and, at that time, the largest ship ever built. She had been refitted as a troop ship with little to suggest her former opulence. Thousands of soldiers lived and slept in crowded conditions. Much of their time was spent heaving over the rail. There was only enough fresh water aboard for drinking purposes, which meant the men were unable to shower for the duration of the voyage. They would arrive in England "pretty ripe." They had regular abandon ship drills, which involved getting into one's life jacket (called a "Mae West" in reference to the buxom film actress) and making one's way up to the deck as quickly as possible. There was a degree of admitted futility to these exercises: the life jacket would prevent you from drowning, but more than thirty minutes in the freezing water would result in death from hypothermia. If the ship sank, the suction would probably pull you down with it.

Donis never had to abandon ship. He was never rammed, torpedoed or bombed. Even so, after the war he spent the rest of his days on dry ground.

One of the first things Donis did in Cirencester was to acquire transportation. He bought a used three-speed "English racer" bicycle and was thus able to travel the several miles from the base into town. Along the way, he noticed a vegetable patch being tended by an old farmer. The fresh tomatos and onions were just what he needed to make the mess hall chow palatable. What the farmer wanted was cigarettes. The Army included cigarettes in the men's rations in those days, but Donis didn't smoke. The two worked out an arrangement by which they would exchange cigarettes for produce on a regular basis. The next time the mess hall served beans, Donis got a plateful of them, sat down, pulled a tomato and an onion from his pockets and proceeded to cut them up with his pocket knife. Heads turned. "Hey, Roberts! Where'd you get that?" He didn't answer. His mouth was full.

Donis had never been around any "yankees" before he entered the Service. They complained bitterly about being served beans, which they considered to be livestock feed. "They ain't like us," he said later. "They're a different breed of duck."

Barracks banter was usually bawdy. "I'm 180 lbs. of dynamite!" one would crow. Someone else would pipe up, "Yeah! With a two-inch fuse!" Other groin-related observations were directed at their Jewish buddies:  "You guys cut half of it off before you know how long it's gonna get!"

Donis played the harmonica (he called it a "French harp") in an old-fashioned style, and sometimes he would get together with a fiddler and a guitar player. They would play such chestnuts as "Red Wing," "Over the Waves" and "Home Sweet Home." Sometimes the other fellows would gather around and listen.

Donis frequented a pub in Cirencester, where he quickly got used to the dark English beer, served at room temperature. A sign hung on the wall: "Drink 'til ten," it said. This was followed by the image of a pistol and the word "two." He thought this was hilarious.

He heard Major Glenn Miller and the Band of the Allied Expeditionary Forces broadcasting from London on the Armed Forces Radio Network. Like millions of others, he thought Miller "sure made some wonderful music." He especially liked "American Patrol," an old march that had been given a swing arrangement. Miller played Cirencester in 1944, but Donis never mentioned it. One assumes he was on duty.

One day a high-ranking officer needed a ride into London, and "Roberts" was appointed to drive him there. Neither of them knew their way around England, and all of the sign posts and station names had been painted over or removed in order to confound the Germans, if they ever got around to invading. Eventually they realized they were hopelessly lost, and the officer began to berate "Roberts."

"If you'd like to drive, you're welcome to it," came the reply. The officer declined and they continued their journey. Whether they reached their destination or turned back is unknown.

"I went through Oxford," Donis used to say, pausing for effect before adding, "on a guided tour!"

The medical unit to which he was assigned saw a massive influx of carnage after D-Day -- the Allied invasion of Normandy in June of 1944. Donis never talked about what he saw and experienced, but it is known that thousands of wounded and mutilated soldiers were sent to Cirencester to be treated for their injuries, and some of them died there. For the rest of his life, Donis had nightmares. The family would hear him desperately shouting, "No! Oh, no!" in his sleep. He also mumbled a lot of things which couldn't be made out. Many years later, when I asked my mother if she had ever figured out what he was saying, she replied, "Oh, dear Gussie! I didn't want to know what he was saying!"

Whatever transpired in the second half of 1944, Donis came home on furlough in December. Once again he sailed across the Atlantic. In New York City he boarded a train and rode back to Texas. In Dallas he caught a bus to Sulphur Springs. Things were different now: he had a wife and a baby. While he was there, his mother-in-law died unexpectedly. The days were filled with culture shock and grief. All too soon, Donis was once again saying goodbye and making the long trip from Texas to England. As hard as it was to leave the first time, this was much worse. He later said that spending his furlough time in England would have been easier than coming home and having to leave again, and referred to the trip as "the worst mistake I ever made in my life." He was in the Service "for the duration" of the war, and if anybody knew how long that was going to be, they weren't saying.

Germany unconditionally surrendered to the Allies in May of 1945. Japan surrendered in August. Autumn found Donis eligible for an honorable discharge, and he took it, declining any and all re-enlistment incentives. He had risen to the rank of Corporal and received a good conduct medal.

Donis went back to his old warehouse job at Huey & Philp in Dallas.

One of his co-workers was in the Army Reserve, and tried to coerce him into signing up. Donis wanted no part of it. When the Korean Conflict began and the man was called up, Donis needled him about it. Years later, when asked how the man responded to his razzing, Donis chuckled and said, "He called me a son of a bitch."

With the exception of the farcical "Hogan's Heroes," he steadfastly refused to watch war-related  television programs -- especially documentaries. "I lived through it," he would say. "What do I want to watch it for?"

He never joined the American Legion, the VFW, or anything else.

He used to claim he had been a pilot in the cavalry. "I'd pile it here, and pile it there..."

Donis' dress uniform hung in his closet for the rest of his life. When he died in 1997, my mother wondered aloud what she was going to do with it. Apparently she never considered burying him in it. The uniform has hung in my closet since she died in 2003, in mute testimony to one man's contribution to a great achievement.

Eddy Arnold

Eddy Arnold died yesterday. He was 89. He recorded one last album a couple of years ago, which some people criticized, but I love to hear old people sing. He was coming from a vantage point many of us will never achieve. I loved his early stuff. When I was a kid I had some 78rpm records by "Eddy Arnold, the Tennessee Plowboy and his Guitar" -- Molly Darling, Bouquet of Roses, I'd Trade All of My Tomorrows (For Just One Yesterday), Don't Rob Another Man's Castle, It's A Sin -- all of them featuring the ting-a-ling non-pedal steel of Little Roy Wiggins. In 1947 he had a massive hit with an old Emmett Miller song called "Anytime." Two years later, brash newcomer Hank Williams had a massive hit with an old Emmett Miller song called "Lovesick Blues." Eddy was that influential. Before he came on the scene, country singers sang mountain style. He was the first one to sound as if he might have heard a Bing Crosby record. He knocked off the edges and paved the way for Red Foley and Jim Reeves. He took some flack for going uptown in the 1960s with his "world" songs, all of them done to the nines with orchestra and chorus, but he was resolute. He was in the business of selling records. "I've been poor," he said, "and I don't ever want to be poor again." He made me a little richer with his wonderful music. Rest in peace.